13 Folgen

  1. A Vital Practice: Translating Narrative Prothesis in Émile Zola’s L’Assommoir

    Vom: 12.2.2024
  2. Conference Highlights

    Vom: 4.1.2024
  3. Into the Translation Zone

    Vom: 4.1.2024
  4. I shiver a little, I shudder a little:” Gist Translation and Uncanny Bodily Knowledges

    Vom: 4.1.2024
  5. Working Knowledge and the Duality of Uncertainty: Translating Heterogeneous Knowledge Networks in Long Covid Clinics

    Vom: 3.1.2024
  6. Conversations Across the Translational Medical Humanities

    Vom: 3.1.2024
  7. Translating Symbolism into Precision Medicine

    Vom: 3.1.2024
  8. Health Rhymes with Death

    Vom: 3.1.2024
  9. Translation and Medical Humanities: Personal Narratives, Scholarly Journeys, and Visions

    Vom: 3.1.2024
  10. Health, Ecology and Activism: The Dark Side of Translation

    Vom: 3.1.2024
  11. Medical Humanities’ Translational Core: Remodeling the Field

    Vom: 3.1.2024
  12. Bodies in Translation: Towards a Translational Medical Humanities

    Vom: 3.1.2024
  13. Incommunicable: Toward Communicative Justice in Health and Medicine

    Vom: 3.1.2024

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This series of video podcasts highlights some of the key moments of the Translation and Medical Humanities conference which took place at the University of Oxford on 5-6 September 2023. This international conference explored, for the first time and in an interdisciplinary fashion, the interzone between translation studies and medical humanities; it invoked the role of the arts, humanities and social sciences as essential services for medicine and health care; and it reappraised the impact of biomedicine in our linguistic, cultural, and societal ecosystems. Organised by Dr Marta Arnaldi and Prof John Ødemark in collaboration with Oxford Comparative Criticism and Translation. With the contribution of Medical Humanities, The Oxford Research Centre in the Humanities (TORCH), University of Oxford; Pitt Rivers Museum, University of Oxford; the Centre for Sustainable Healthcare Education, Faculty of Medicine, University of Oslo; and The Polyphony, Institute for Medical Humanities at Durham University. Funded by Bodies in Translation: Science, Knowledge and Sustainability in Cultural Translation, Department of Culture Studies and Oriental Languages, University of Oslo, and The Research Council of Norway.

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