Secrets of Organ Playing Podcast
Ein Podcast von Secrets of Organ Playing - Mittwochs
453 Folgen
-
SOPP582: I think sight reading is my weakest area
Vom: 24.4.2020 -
SOPP580: I love the harmonies for ‘O Sacred head sore wounded’
Vom: 24.4.2020 -
SOPP577: Serving at the organ to lead a congregation of untrained singers
Vom: 20.4.2020 -
SOPP579: Definitely counting while reading new music is helping me to keep on a stable rhythm
Vom: 3.4.2020 -
SOPP576: I tend to focus too much on what I am playing on Sunday
Vom: 2.4.2020 -
SOPP575: I like that Total Organist is keeping me focused on my practicing, and how to practice
Vom: 27.3.2020 -
SOPP573: My challenge is with sticking with a schedule of practicing and time management
Vom: 20.3.2020 -
SOPP571: I’m struggling with keeping all fingers on the keyboard
Vom: 17.3.2020 -
SOPP578: Nicole Keller on Listening to a Lot of Other Music Besides Organ
Vom: 15.3.2020 -
SOPP574: In Total Organist I am learning a lot
Vom: 15.3.2020 -
SOPP572: It would be nice to have a tutorial with you talking about certain sections of BWV 565
Vom: 11.3.2020 -
SOPP569: I have set a goal for myself to give a solo concert at my church in May
Vom: 10.3.2020 -
SOPP570: What kind of materials will I expect to improve technique, sight-reading and hymn playing?
Vom: 6.3.2020 -
SOPP566: Your course was very helpful in getting back to my “roots”
Vom: 4.3.2020 -
SOPP567: I am working hard on Prelude in the Classic Style by Gordon Young
Vom: 25.2.2020 -
SOPP568: Do you have the pedaling of D major scale in the Baroque style?
Vom: 21.2.2020 -
SOPP564: Important to me is to take songs which are outside of the Church or Classic repertoire
Vom: 15.2.2020 -
SOPP563: When is the optimal moment to decide the fingering?
Vom: 14.2.2020 -
SOPP565: I practise every day for at least two hours and my latest piece is BWV 538
Vom: 13.2.2020 -
SOPP559: Total Organist and my compositions
Vom: 11.2.2020
Conversations about all things organ playing. Dr. Vidas Pinkevicius and Dr. Ausra Motuzaite-Pinkeviciene talk about organ practice, technique, registration, performance, improvisation, harmony, music theory and other aspects which make up Total Organist.