Read Between the Wines Podcast
Ein Podcast von Pierre Ferland
68 Folgen
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E70 - Jordan Wine Estate · Stellenbosch, South Africa
Vom: 5.3.2025 -
E69 - Water & Wines · Sanna Yamit Viitaoja-Malmberg · Sweden
Vom: 20.2.2025 -
E68 - Ambriel Sparkling Wines UK
Vom: 11.2.2025 -
E67 - Col d'Orcia, Brunello di Montalcino, Italy
Vom: 10.1.2025 -
E66 - Dog Point Vineyard, New Zealand
Vom: 13.12.2024 -
E65 - Flat Rock Cellars, Canada
Vom: 5.12.2024 -
E64 - Wine Enthusiast · Marshall Tilden, USA
Vom: 27.11.2024 -
E63 - Kenwood Vineyards, Sonoma, California, USA
Vom: 23.11.2024 -
E62 - Wiston Estate, Sussex, England
Vom: 24.10.2024 -
E61 - La Cave Garibaldi · Estelle Burgan, France
Vom: 10.10.2024 -
E60 - Domaine Gassier · Michel Gassier, France
Vom: 2.10.2024 -
E59 - Bottega S.p.A. · Sandro Bottega, Italy
Vom: 11.7.2024 -
E58 - Foreign Affair Winery · René Van Ede, Canada
Vom: 3.7.2024 -
E57 - Leaning Post Wines, Canada
Vom: 28.6.2024 -
E56 - WINEing · Moshé Weizman
Vom: 12.6.2024 -
E55 - Bill Weir · CNN
Vom: 5.6.2024 -
E54 - Planeta Winery, Sicily, Italy
Vom: 31.5.2024 -
E53 - Hidden Bench Estate Winery, Canada
Vom: 23.5.2024 -
E52 - Chateau Edmus, Bordeaux, France
Vom: 3.5.2024 -
E51 - André Mack, Sommelier · New York
Vom: 29.4.2024
Read Between the Wines Podcast is not really a podcast, it’s a repository of stories from the wine world. It is focused on the narratives behind the winemakers rather than wine scoring. Founded and hosted by Vino-enthusiast Pierre Ferland, it offers a different and refreshing concept in wine exploration. Each episode offers a unique perspective on vineyard’s tales, much like each vintage brings its own profile and personality to a blend. Some conversations will delve into winemaking techniques, while others will explore initiatives to preserve biodiversity and find solutions to combat climate change. From a consumer perspective, we are intrigued by how wine scoring has dominated the industry, leaving many enthusiasts perplexed by its intricacies yet still relying on a solitary number for their selections. We understand and respect the fact that a generous score can help move a few bottles and we won’t hold it against any wineries, but from a vintner and a winemaker perspective, we pose a pivotal question: what legacy do you wish to imprint upon your clientele? A numerical rating, or the compelling tale of your craft? Think about it. What score would you give to the “Mona Lisa” or “The Starry Night” from Van Gogh? About “Composition 8” from Kandinsky or “The Creation of Adam” by Michelangelo. It’s very subjective indeed and so is Pinot Noir from Burgundy, Cabernet Sauvignon from Australia and Riesling from Germany.
