The Tragedy of Old School Beijing Hip-Hop with Olivia Fu

This week on Sinica, I chat with Olivia Fu, who this spring completed her year at Schwarzman College and wrote her Capstone project — a research paper that is required of all Schwarzman Scholars — on the rise and fall of the Beijing hip-hop scene. We explore some of the parallels to Beijing's rock scene, and how many of the same factors that stifled rock in Beijing ultimately led to Beijing's relative decline as a hip-hop city. 3:16 – Olivia’s background and connection to China, and what drew her to the Schwarzman Program and studying hip-hop 6:13 – Olivia’s Schwarzman mentor, Paul Pickowicz  7:47 – How Olivia dealt with censorship in her Capstone project  10:24 – The parallels and differences between the hip-hop and rock scenes in China 12:27 – The dakou CDs and the origins of the hip-hop scene in China  17:03 – The influences of Japanese and Korean rap and hip-hop and Black American culture 18:30 – The importance of studying Beijing hip-hop  23:05 – The spirit of Beijing and societal commentary in Beijing hip-hop  27:38 – The phenomenon of Rap of China  29:50 – The divergence of PG One and GAI, and the regulatory influence of the State Administration on Press, Publication, Radio, Film and Television 35:13 – Sinifying hip-hop  37:21 – What the burgeoning hip-hop scene in China was like in the early 2000s 40:10 – Critiques of the Beijing dialect in rap and the Beijing rap style  45:16 – Iron Mic rap battles and Shanghai, and Chinese hip-hop’s critique of the educational system  48:34 – Why Beijing rap declined  59:09 – What’s next for Olivia  See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.