18 : Kirstie Marie Photography – The concept of Beta and Outsourcing – PODCAST

A Texas portrait equine photographer When I was exploring for new people to interview, I came across Kirstie Marie Photography in Texas. I put off calling her because I had just interviewed another photographer from Texas, so I signed up for the Kirstie Marie email list. Once or twice a week I have been getting samples of beautiful horse and rider portrait sessions she is having. The emails are very graphically interesting and personally inviting and you are left with wanting more. It was time to interview Kirstie of Kirstie Marie photography. Filling a void and knowing what you would want as a consumer I expected to be talking to someone who had been doing equine photography for a very long time, but I will call Kirstie a relatively new photographer on the scene since she picked up her first digital camera in 2012. Then as she was planning her wedding she decided that she would pick up a Contact 645 roll film camera and after a year of practice in an area felt a need to fill, portraits of riders with their horses, she created her price list and web site and launched. The importance of not launch when you are in “Beta” During that first year before she charged anyone for her services, she considered that her business was in “beta” and she developed her portfolio and abilities until she felt she was ready. In our interview she explains how and WHY she does things the way she does and why as photographers we should be clients of other photographers. I think you will find the interview very informative and inspiring. Kirstie is very business savvy which shows in all the choices she makes relative to her branding, website, and marketing that she does with her valued customers. http://kirstiemarie.com https://www.instagram.com/kirstieeemarie/ http://kmplearn.com She started with dressage lessons at 3. You can see her history with horses on her website. SHOW NOTES: Kirstie picked up a camera in 2012 while in college and planning her wedding. She started with digital, then picked up a Contact 645 film camera (shoots 120 and 200 roll film). Using her own money she practiced for a year shooting film and developing her product and portfolio before telling people she was going to charge them for her services. She was making sure she had something professional. She did not want to put something out there in “beta”. Medium format film images included in every shoot She still shoots film some on each session (not 35mm, but 120 and 220 roll film). She has nice digital gear now as well and edits the digital images to look like the film images that come back from her pro film lab. Now she has a Hasselblad as her film camera and is very pleased with its very fast and accurate automatic focus. Professional and part-time and the importance of outsourcing Kirstie has a full-time career and her photography business is part-time mostly on weekends. She loves both so she has no plan on changing the current mix any time soon. She likes two to 4 sessions per month, but is a softy and when people call with urgent requests she tries to work them into her schedule. She explained that one time she had a very over packed period of 6 weeks with 16 sessions. Yikes! About being a customer of photographers Kirstie is a customer of photographers to learn more about how they run their businesses and to explore how she feels about the experience with other photographers and determine how to improve the experience of her own clients. Kirstie feels strongly that you should put yourself in your client’s perspective as a customer of photography. I would have to agree with her and would encourage you to do the same. Spend some money and have some portraits made from time to time...

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LEARN from top equine photographers from all over the world. In each podcast we ask our guest about how they got into photography and specifically how they got into horse photography? • MAKING A LIVING IN EQUINE PHOTOGRAPHY: We discuss the business of equine photography and how they make a living within their specific areas of equine photography. Hear how they run their businesses and what profit centers make their particular business work. Find innovations and ideas to improve your business bottom line. • There are many specialties within the niche' of equine photography. • If you have not started your business yet, you will have lots to consider as you hear about the diverse business models that these creative photographers have made to match their love for photography and horses.