Bside Incoming: Earl Jeffers

Bside Incoming: Earl Jeffers Next up on the Bside decks, is an incredible DJ/Producer and record collector from Cardiff, whose tunes have grabbed the attention of the very best in the business; Kerri Chandler, Todd Terry, Skream and Mosca: With great pleasure, it’s Earl Jeffers (aka Chesus). He’s really been making a name for himself in recent years with his productions being released on Gerd’s 4Lux and Addison Groove’s Lost in Translation amongst others. His soul infused style of house is a one way ticket to good times on the dancefloor, as evidenced by this smooth jazzy piano track with Henry Wu: https://www.youtube.com/watch?v=MTgWrV0fpnw As his reputation for crafting instant house classics builds, so has his prowess behind the turntables… allowing him to prove his worth at some of the best clubs across the UK, Germany and the Netherlands. As always, the Bside podcast takes you deep into the collection of our esteemed guest, with this one taking the form of a jazz-funk masterclass from one of house music’s rising stars. His soundcloud - https://soundcloud.com/chesus-aka-earl-jeffers His bandcamp - https://melange.bandcamp.com/ Thanks to Molly Hickey for the beautiful artwork as always. www.instagram.com/mollyth.art/ Follow the Bside Instagram for updates/news/vinyl and general music chat: www.instagram.com/bsidepodcasts/

Om Podcasten

Bside podcasts DJ's showcase and speak a little about their favourite tracks from the B-side of their records. We endeavour to broadcast the best of the B-side: a bi-weekly invitation into the impressive record collections of some of our favourite selectors. An exploration into the the back-catalogues, the deepest depths, the darkest crevices of their collections. Returning with the spoils of this venture: their most cherished records and hidden gems, from the go-to club weapons to the rarely heard home-listening records, and everything in between. Music is for sharing. 'By the early sixties, the song on the A-side was the 'hit' song that the record company wanted radio stations to play. The B-side would contain less radio friendly and less popular tracks. In our eyes the B-side is a true reflection of the producers taste in music, there is more personality on that side of the record'.